The Minolta Autocord is a twin lens reflex camera that was manufactured in the years 1955 to 1966. It has two lenses positioned directly above each other and they are coupled so that they focus on exactly the same plane. The top lens is used for viewing and it reflects a mirror image onto a ground glass. The bottom lens projects the image onto the film.
Minolta Autocord TLR with Optiper shutter
The Autocord is a medium format camera and it records 6×6 images on 120 roll film. A 6×6 image (56mm x 56mm) is approximately 3.6x larger than a 35mm frame (24x36mm). Since image quality is proportional to the film size, this camera can produce much higher quality enlargements than any 35mm camera.
I bought my Autocord used on ebay for about $80. Although, the camera was in bad cosmetic shape, it was in good working condition considering its age. The lens was clear and free of fungus and the focus lever worked smoothly. There were no light leaks and the aperture blades opened and closed freely. The shutter speeds were, however, slow by as much as 2 stops and the mechanical self timer often stuck and failed to fire the shutter.
The serial number of my camera is 143649 indicating that it was a 1959 Autocord with an Optiper MXS shutter. This website has a list of Autocord serial numbers along with production dates and version differences.
The camera had no meter but this wasn’t a problem as I shot black and white film which has a wide exposure range. I exposed based on the sunny 16 rule and leaned toward overexposure. Later camera versions have a selenium light meter.
Although Autocords are supposed to have a bright viewfinder, mine was very dim and it was a struggle to compose and focus in well lit environments. I removed the ground glass and cleaned the mirror box which was very dusty. This helped although the image was still not as bright as I would have liked. The scene also appears as a mirror image and it took me some time to adjust.
One advantage I discovered with the Autocord is that because it has separate lenses for viewing and taking, there is no mirror blackout when the shutter fires as with SLR cameras. This means that you can see the image at the exact moment of capture.
The Autocord produces very nice negatives and can yield enlargements unmatched by 35mm film. However, after my initial experimentation, I haven’t used it much because I prefer to shoot chromes and the shutter speeds were simply not accurate enough. (I did precisely measure the shutter speed at the various settings, but since the delays varied with the shutter time, carrying around a table of time adjustments was simply too much hassle. I had planned to get a CLA but I never got around to it).
Finally, buying a used Autocord is a very inexpensive way to get involved with medium format photography. Although the camera is completely manual, it will give higher quality images than 35mm film. If you don’t like the camera you can generally sell it for what you bought it for on ebay.
Specifications
| shutter type | leaf | |
| shutter speeds | B, 1-400 continuously variable | |
| aperture setttings | f/3.5-22 continuously variable | |
| flash sync modes | X, M | |
| size | 14cm high, 7.5cm wide, 10cm deep (5.5″x3″x4″) | |
| weight | 994 grams, 2 lbs 3 oz |
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{ 5 comments… read them below or add one }
what type of film does it take and where can you buy it?
Thanks for the post; it’s very informative and interesting
I have owned several autocords, over the years, and I am a huge fan! I still have one and it is the non-meter variety (which I prefer) as I like to meter with a Luna Pro. I also own several Rollei 2 1/4 cameras. Honestly, if there is a difference in image quality, It is difficult, for anyone other that a complete camera nut, to ascertain. I have taken some absolutely beautiful B&W landscape images with my Minolta! It is a fantastic way for someone to break into the 2 1/4 medium format without “breaking the bank”. And, forget about the meter models, as it is just one more area of concern in relation to upkeep. Purchase a decent inexpensive light meter or simply utilize the “sunny 16″ rule at various settings. Go, now…..find one in good mechanical shape and begin to mimic “Ansel” (almost!)
Digital is fun……But film is still difficult to beat.
I did most of my photography degree with one of these (in the 1980s). Best camera I ever had.
I bought an Autocord a year ago for $120. It was in pretty good shape, but I sent it to Karl Bryan anyway for a CLA. He did a really fantastic job, and other than a few paint chips here and there, it looks and performs like it did 50 years ago. I ended up having to send it back to him for a new focus helix when that broke. He has machined new ones made of stronger metal. I’d suggest just doing that upfront as it is a known weak point of the camera. Anyway, the CLA cost me as much as the camera (more if you count sending it back to fix the focus helix), but it makes it so much more pleasant to use! It is truly a fantastic camera not only for its image quality, but also because it slows you down and lets you think about what you are doing.
This reading has been a delightful pleasure. My experience started with the Minolta Autocord started in the 50′s. it was my first cam. From beach cheese cake to portraits to gp.
Mine is still in its leather case and never used, these days.
the quality of the pics was outstanding. the 2×2 slides could be projected to 6′x6′ with clear images.
I did go astray after a while, being swayed by Nikon for their 35mm bag of tricks. and since have amassed many as the years went buy. But never did I sell the Autocord.
Liking the quality was hard to leave behind.
The quality of the negs and chromes led my into a dark room setup which allowed some nice 16×20 portraits that were absolutey studio quality.
Mamyia RZ67 came along and I was back into the larger film format; later even going to the 4×5 route….large format is the way to go if your serious.
By the way, my Autocord sold new for $77.00, in the mid 1950′s. I suppose I could get my money back using ebay.
Maybe it’s time to get it out and try it again.
I would like more info on the repair service to have it cleaned up. Please let me know who CLA is.
Thanks
Ron Moroz
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